Social Art
From 2020worldpeace
Social Art uses people as its medium. People experiencing Social Art may do so co-elaboratively, trusting the orchestration of experience, Subjectivities’ quality of experience is the art. Although there may be an external objective, it is secondary to the achievement of subjectivities participating in the piece. Social Art is thereby reflexive, enabling a subjectivity to become aware of its social context (cf Experiential Art Movement). It is seldomly concretised in a saleable object: handshakes and gestures, compound thoughts, unique experiences of unity.
Fine Social Art includes the aware subjectivity within it, rather than manipulates. The co-elaboration of subjectivities willingly produces significantly more aesthetic pieces well beyond the capacity of a single subjectivity to control (cf The Tortoise Minuet).
Orchestration of experience can only be managed with the dynamic of trust, the leading-following dynamic (cf Psycling), which is rewarded with the immeasurable quality of personal experience. This necessarily involves mistrust and the embrace of the horror that is in the world: the economic exploitation, the media manipulation, the environmental pollution, the military conflict, the educational institutionalisation, etc.
Social Art embraces all forms of social aggregates including business, family-life, politics, military, and to do so functions without any financial reward (eg Non-Profit). The epitome of the Social Art aesthetic is world peace (cf 2020).
2020worldpeace | 2020 | Cystem | basic idea | guidelines
